Today I cried at the playground.
Moms don’t have a lot of space for tears, and so they break their way through – unexpected, at undesirable times. I stand there, with Sage firming resting in the wrap at my hip, kids playing all around, mom’s chatting casually on the other side of the slide. And I turn another page.
It seems that I have cried with each page of this book. The more I get into it the harder it is to fight back the tears. You’d think I’d give up reading it, but these aren’t bad tears and somehow this book is woven from the fabric of my very being. I can’t stop.
I see in the writing my own hopes and dreams. My own tendencies and loves,
“The thought that I must, that I ought to write, never leaves me for an instant.” And I add: Nor me.
And I add: Nor me.
“I was struggling to write, to keep house, help in the store, be a good mother, and yet improve my skills as a storyteller. And that decade was one of rejection slips. I would mutter as I cleaned house, ‘Emily Bronte didn’t have to run the vacuum cleaner. Jane Austin didn’t do the cooking.’… In my journal I wrote: ‘There is a gap in understanding between me and my friends and acquaintances. I can’t quite understand a life without books and study and music and pictures and a driving passion. And they, on the other hand, can’t understand why I have to write, why I am a writer.”
And again flip the pages back to the first page I earmarked in the book:
“We do not know and cannot tell when the spirit is with us. Great talent or small, it makes no difference. We are caught within our own skins, our own sensibilities; we never know if our technique has been adequate to the vision. Without doubt this is true of my own work, too. I never know, when I have finished a book, how much of what has been in my mind and heart has come through my fingers and onto the page. This inability truly to assess one’s own accomplishment is what makes rejections so bitter. When I was receiving rejections from publisher after publisher, I wondered sadly if the book I had conceived in my mind had failed utterly in getting onto the page. This lack of knowing makes the artist terribly vulnerable. When I hand in a manuscript to agent or editor I am filled with anxiety until I hear: Yes, the book is there. It needs work, but it is there.”
And I think of my first attempt at a novel, which I only just days ago sent off to friends for editing.
So much of the life I want to lead is portrayed in these pages.
But so much also of the life I feel creeping up on me and hope never to be mine.
The struggle to write and become a writer are interwoven with the story of her marriage and ultimately the story of her husbands cancer. My own fears swell up as I turn the page.
“I need a God who is with us always, everywhere, in the deepest depths as well as the highest heights. It is when things go wrong, when the good things do not happen, when our prayers seem to have been lost, that God is most present. We do not need the sheltering wings when things go smoothly. We are closest to God in the darkness, stumbling along blindly.”
As I read this book I feel it. It lodges itself deep in my heart on so many levels. It is as if it was written for me and as if it was written for me at such a time as this.
I’ve been drawn to Madeleine L’Engle’s Two-Part Invention for years. I remember as quite a young woman seeing it on my parent’s shelf and wanting to read it. And yet, somehow, I never did. I must have picked it up to read a dozen times and yet as much as I wanted to read it, as much as I knew that I should read it and would one day read it, I also knew that it wasn’t time yet.
After Sage was born, when we were packing to move up to Seattle, our boxes were stuffed full and yet somehow I managed to squeeze it in – stollen off my parent’s book shelf.
When we moved into our apartment in the small town of Bothell, just north and east of the sprawling metropolis that is Seattle, I carefully looked at each book and then promptly packed almost all of them back up in boxes to store in our small attached storage. I didn’t pack Two-Part Invention back up. It was one of only about a dozen books that have sat on my shelves over the past year, and yet despite that I have never picked it up to read, until this week.
I feel almost as if it audibly called out to me. “Read me. Read me. Now.” It whispered.
And so I did. And it feels serendipitous to have picked up this book at this time and not before.
If I had read it when I was younger, I do not believe that it would have been anything more to me than a touching story book and a good book. If I had read it last year in the midst of Bryan’s melanoma diagnosis I do not think I would have been able to finish. It would have hit too close to home.
But, now, at this season, when my heart is still largely filled with thoughts of cancer and what that terrible foe might hold for us in the future, and when I am more firm in my identity as a writer than I have ever been before, this book comes as a God send. One of those rare books that I know I will look back on as formative, even life changing.
I turn another page:
“Prayer. What about prayer? A friend wrote to me in genuine concern about Hugh, saying that she didn’t understand much about intercessory prayer. I don’t, either. Perhaps the greatest saints do. Most of us don’t, and that is all right. We don’t have to understand to know that prayer is love, and love is never wasted.
Ellis Peters, in A Morbid Taste for Bones, one of her delightful medieval whodunits, gives a beautiful descriptions of what I believe to be intercessory prayer: ‘He prayed as he breathed, forming no words and making no specific requests, only holding in his heart, like broken birds in cupped hands, all those people who were in stress or grief.’
And George MacDonald asks, ‘And why should the good of anyone depend on the prayer of another? I can only reply, Why should my love be powerless to help another?’
I do not believe that our love is powerless, though I am less and less specific in my prayers, simply holding out to God those for whom I am praying.
What happens to all those prayers when not only are they not ‘answered’ but things get far worse than anyone ever anticipated? What about prayer?
Surely the prayers have sustained me, are sustaining me. Perhaps there will be unexpected answers to these prayers, answers I may not even be aware of for years. But they are not wasted. They are not lost. I do not know where they have gone, but I believe that God holds them, hand outstretched to receive them like precious pearls.”
And I cry.
Each tear drop a separate prayer escaping up to heaven.
A prayer without words, a prayer deeper than words.
I cry for my friends, Jane and Martin, fighting cancer far across the ocean. I cry for friends whose aching wombs have lost babies. I cry for friends who are struggling with job loss and financial crisis. I cry for my daughter, Sage, who may never walk or talk. I cry for myself for the threatening loss I fear. I cry for Madeleine and the battle her husband, Hugh, fought with cancer all those many years ago.
And tears become prayers. And the prayers echo.
And I turn back a few pages:
“I do not want ever to be indifferent to the joys and beauties of this life. For through these, as through pain, we are enabled to see purpose in randomness, pattern in chaos. We do not have to understand in order to believe that behind the mystery and the fascination there is love.
In the midst of what we are going through this summer I have to hold on to this, to return to the eternal questions without demanding an answer. The questions worth asking are not answerable. Could we be fascinated by a Maker who was completely explained and understood? The mystery is tremendous, and the fascination that keeps me returning to the questions affirms that they are worth asking, and that any God worth believing in is the God not only of the immensities of the galaxies I rejoice in at night when I walk the dogs, but also the God of love who cares about sufferings of us human brings and is here, with us, for us, in our pain and in our joy.”
Rejoicing in the journey,
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